I work from intuition, driven by the need to give form to sensations, emotions, and fleeting ideas. My process unfolds as a dialogue with the surface: I mix pigment with modelling paste, apply layers with palette knives, scrapers, brushes, or improvised tools, and allow textures to emerge as material traces.
Alongside acrylics and modelling paste, I use iridescent and gloss mediums, carbon-based marks, and transparent layers that shift between opacity and luminosity. These elements let the surface alternate between density and resonance, solidity and fragility.
My practice moves between three territories: Presences, where bodies appear and vanish as frozen or interrupted moments; Atmospheres, where climates of heat, cold, humidity, or light are evoked through surfaces that shimmer, crack, or absorb; and Signs, where marks recall languages that precede writing—codes that hint at what resists being fully said.
I do not seek to illustrate stories or fix meanings. Each work opens a space where matter, light, and shadow speak on their own terms, creating tension, contact, and resonance that extend beyond the canvas.