My practice explores abstraction as a somatic field—a space where structure and impulse coexist in tension. I work with intersecting diagonals, unstable axes, and forms that resemble signs without resolving into language. These marks hover between symbol and gesture, holding meaning without fixing it.
Material is central. I build surfaces through accumulation — layers of pigment, modelling paste, and fields of micro-particles that create atmosphere and density. I also abrade the canvas, scraping back into the weave so that traces of action remain visible. Accumulation and erosion operate simultaneously: one gathers, the other displaces.
My background in graphic and editorial design informs the work's structural clarity, while the physicality of paint introduces unpredictability. The paintings become sites of pressure — where containment and release, desire and resistance, structure and disintegration, are held in suspension.
I approach abstraction not as decoration, but as embodied tension.